SIX OF THEM, THIRTY SECONDS EACH
Produced spots off the funny shelf. Press play on any one of them and decide for yourself before you read another word.
WHY ANYBODY REMEMBERS A COMMERCIAL
A listener in a car gives any commercial about three seconds before reaching for a button, and almost nothing earns the next twenty-seven. A laugh does. It is the one response that makes a stranger stop, finish the spot, and repeat it to somebody else that afternoon at no cost to you.
Nielsen has reported for years in its Audio Today series that broadcast radio still reaches the large majority of American adults every week, and most of that listening happens in a vehicle, with a person who is doing something else. That is the room your spot walks into. A funny commercial is the only kind that gets invited back.
Comedy is also the hardest register to produce, which is why most shops talk clients out of it. We write it, cast it and mix it as our main line of work, and if the brief genuinely calls for a straight read we will say so in the first conversation rather than after you have paid for a joke.
FOUR THINGS THAT DECIDE THE LAUGH
The Joke Fits the Brand
A plumbing company can lean into toilet humor. A luxury jeweler probably should not. We match the comedic register to the brand so the laugh reinforces your positioning instead of cutting across it.
The Message Rides the Punchline
The worst outcome for a funny ad is a listener who remembers the joke and not the advertiser. Every comedy spot we write anchors the name and the offer to the punchline itself, so the two cannot come apart.
Voice Casting Is Most of It
Comedy lives in delivery. We cast talent with real comedic timing, inflection and character rather than a pleasant voice reading a joke it does not hear. The difference is the entire bit.
Sound Design Carries the Bit
A well-timed effect can be the punchline. We layer music, effects and silence in post to land the laugh, which is where comedy audio separates itself from comedy on paper.
THE SAME CREW HANDLES THE REST
One studio, one price list, every register.
Puns, characters, absurdist bits, sketch-style spots
Urgent, benefit-forward, call-to-action driven
Story-driven, cinematic, community-anchored
Professional, authoritative, enterprise-tone
Earworm hooks with branded melody
Community-focused, conversational, name-driven
SAME RATES, ANY STYLE
Funny costs the same as serious. Published, not quoted.
- Custom script (any style)
- 1–2 voice-over talents
- Full music & SFX
- Broadcast-ready master
- 2 revision rounds
- Custom script (any style)
- 1–2 voice-over talents
- Full music & SFX
- Broadcast-ready master
- 3 revision rounds
- Custom script (any style)
- 1–2 voice-over talents
- Full music & SFX
- Broadcast-ready master
- Unlimited revisions
Most jobs delivered in a day. The finished file is yours with no term and no renewal. Full price list.
TELL US ABOUT YOUR BUSINESS
Send us the brief and we will pitch you a premise before you spend anything. Prices are on the page above, so there is nothing to negotiate and no quote to wait for.
START A SPOTOr call (215) 206-3657 and talk to the person who writes them.